Language of Uzbek national dance art movements
Interpretation of national values
Keywords:
artistic thinking, customs, dance art, language dance, national valuesAbstract
This article examines the national-cultural lines of Uzbek dance, the language of subject dances, and their movements. Therefore, along with many other intangible cultural heritage values, it is necessary to pass on to future generations the rich experience accumulated in the art of Uzbek national dance. "Preservation of the art of dance, which embodies national values, customs, and traditions, as an ancient source of our spirituality and culture, the restoration of its disappearing forms and movements, terms, the nature of dance, its structure, performance features, objects, clothing, and jewelry. The scientific study of the role of performance in complement, refinement, and bleaching is one of the urgent tasks facing the executive choreographer, organizer, and researchers working in the field of dance. To this end, one of the important issues facing the scientific community is to improve the textual and video recording system of dance performances, as well as the creation of special terminology.
Downloads
References
Andriitso, V. M., Tsyhanyk, M. I., Shevtsova, I. M., Shiutiv, M. A., & Kutsyk, O. P. (2021). Features of communication between the stage director and members of the group during the preparation of choreographic performances. Linguistics and Culture Review, 5(S2), 697-707. https://doi.org/10.21744/lingcure.v5nS2.1412
Chen, C. W. (2018). Incorporating artistic thinking into sustainability. Journal of Cleaner Production, 198, 1007-1012. https://doi.org/10.1016/j.jclepro.2018.07.050
Dalziell, A. H., Peters, R. A., Cockburn, A., Dorland, A. D., Maisey, A. C., & Magrath, R. D. (2013). Dance choreography is coordinated with song repertoire in a complex avian display. Current Biology, 23(12), 1132-1135. https://doi.org/10.1016/j.cub.2013.05.018
Daniel, Y. P. (1996). Tourism dance performances authenticity and creativity. Annals of Tourism Research, 23(4), 780-797. https://doi.org/10.1016/0160-7383(96)00020-5
Dou, X., Li, H., & Jia, L. (2021). The linkage cultivation of creative thinking and innovative thinking in dance choreography. Thinking Skills and Creativity, 41, 100896. https://doi.org/10.1016/j.tsc.2021.100896
Frangopulo, M. H. (2015). During the War (from the archives of Memorial’s office the history of Russian choreographic education). Bulletin of Vaganova Ballet Academy, (3), 11-28.
Hamroeva, H. (2020, December). Uzbek National Dance Art Terminology Research. In ???????????.
Hamroeva, H. (2021). National And Cultural Lines In Uzbek Dance. European Journal of Molecular & Clinical Medicine, 8(1), 1038-1046.
Laland, K., Wilkins, C., & Clayton, N. (2016). The evolution of dance. Current Biology, 26(1), R5-R9. https://doi.org/10.1016/j.cub.2015.11.031
Mahmudov, N., & Khudoyberganova, D. (2013). Explanatory dictionary of Uzbek language comparisons. T.: Manaviyat, 320.
Murodova, M. (2015). Folk art.(study guide).
Nasution, I., Surbakti, A., & Sebayang, V. A. (2021). Development of art, culture, and literature attractions for millennial generations. International Journal of Linguistics, Literature and Culture, 7(6), 517-524. https://doi.org/10.21744/ijllc.v7n6.1982
Peng, D. (2021). Scientific substantiation of the role of choreographic art in the cultural process. Linguistics and Culture Review, 5(S2), 415-434. https://doi.org/10.21744/lingcure.v5nS2.1381
Preece, K., & Beekman, M. (2014). Honeybee waggle dance error: adaption or constraint? Unravelling the complex dance language of honeybees. Animal behaviour, 94, 19-26. https://doi.org/10.1016/j.anbehav.2014.05.016
Sööt, A., & Viskus, E. (2014). Contemporary approaches to dance pedagogy–The challenges of the 21st century. Procedia-Social and Behavioral Sciences, 112, 290-299. https://doi.org/10.1016/j.sbspro.2014.01.1167
Stevens, C. J., Schubert, E., Morris, R. H., Frear, M., Chen, J., Healey, S., ... & Hansen, S. (2009). Cognition and the temporal arts: Investigating audience response to dance using PDAs that record continuous data during live performance. International Journal of Human-Computer Studies, 67(9), 800-813. https://doi.org/10.1016/j.ijhcs.2009.06.001
Subrata, I. W. (2016). The representation of janger gotra i mecaling dance of klungkung regency towards bali arts festival XXXVII in 2015. International Journal of Linguistics, Literature and Culture, 2(2), 71-78. Retrieved from https://sloap.org/journals/index.php/ijllc/article/view/95
Suryasa, W. (2019). Historical Religion Dynamics: Phenomenon in Bali Island. Journal of Advanced Research in Dynamical and Control Systems, 11(6), 1679-1685.
Villali, J., & Kern, D. (2010). Choreographing an enzyme's dance. Current opinion in chemical biology, 14(5), 636-643. https://doi.org/10.1016/j.cbpa.2010.08.007
Wilson, C. (2019). The translation applied in intersemiotic study. Applied Translation, 13(1), 9–15. Retrieved from https://appliedtranslation.nyc/index.php/journal/article/view/45
Xadjimusayeva, N. (2021). The Role Of L?ngu?stat?cal Analys?s Method In Uzbek Language. Journal of Innovation in Primary Education , 1 (Archive # 2).
Yams, N. B. (2018). The impact of contemporary dance methods on innovative competence development. Journal of Business Research, 85, 494-503. https://doi.org/10.1016/j.jbusres.2017.10.028
Published
How to Cite
Issue
Section
Copyright (c) 2021 Linguistics and Culture Review
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
