Genre-forming function of factic elements of language in Russian and Tatar lyrics

Landysh N. Yuzmukhametova; Venera R. Amineva; Leysan G. Ibragimova; Rosalia M. Svetlova; Safina Gulnara Faridovna

doi:10.21744/lingcure.v5nS3.1625

Authors

Landysh N. Yuzmukhametova
land_yz@mail.ru
Associate Professor, Phd in Philology (Candidate of science), department of foreign languages, Institute of International Relations, Kazan Federal University, 18, Kremlyovskaya St., 420008 Kazan, Russia
Venera R. Amineva Professor, Phd in Philology (Doctor of Science), department of Russian and foreign literatures, Institute of Philology and intercultural communication, Kazan Federal University, 18, Kremlyovskaya St., 420008 Kazan, Russia; Lead Researсher of А.M. Gorky Institute of World Literature of the Russian Aсademy of Sсienсes, 25a, Povarskaya St., 121069, Moscow, Russia
Leysan G. Ibragimova Associate Prof., Candidate of Science (in Philology), Department of Russian and Tatar Languages of Kazan State Medical University of Ministry of Health of Russia, 49 Butlerova St., 420012 Kazan, Russia
Rosalia M. Svetlova Associate Prof., Candidate of Science (in Philology), Department of Russian and Tatar Languages, Kazan State Medical University of Ministry of Health of Russia, 49 Butlerova St., 420012 Kazan, Russia
Safina Gulnara Faridovna Senior Lecturor, Phd in Philology (Candidate of science), department of methodology and technologies of universal competences, Kazan State Institute of Culture

Keywords:

communication, definition, figurative languages, genre theory, hermeneutic code, identity, linguistics, subject sphere, universal of verbal and artistic art

Abstract

The article identifies linguistic "initial phenomena" of lyrical genres, forming the core of genre identity of the work and having universal character - supernatural and supranational. It has been concluded that the non-literary "other" in relation to which artistic speech, first of all its lyrical subsystem taken in the aspect of its genre structure, is self-determined, is deixis. On the basis of the analysis of the philosophical lyrics of Russian and Tatar poets of the XIX-XX centuries, it has been established that the genre of "definitions" goes back to the deuttic elements of language. In Russian and Tatar literatures it has similar features: the focus on the process of knowledge (dominance of the hermeneutic code), the reflection in the subject architect of the works of the processes of identification and self-identification of the lyrical subject, the use of tropical and mythopoetic figurative "languages." At the same time in Tatar poetry this genre has distinctive features related to the specifics of the manifestation of personal origin in Tatar literature, its characteristic forms of authorship, procedures of meaning inherent in this type of culture.

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