The art of director, screenwriter, and actor Martin Scorsese as an author's cinematography model


  • Galyna P. Pogrebniak National Academy of Managerial Staff of Culture and Arts, Kyiv, Ukraine
  • Olha S. Boiko Kyiv National University of Culture and Arts, Kyiv, Ukraine
  • Kateryna V. Iudova-Romanova Kyiv National University of Culture and Arts, Kyiv, Ukraine
  • Oleksandr M. Priadko Kyiv National University of Culture and Arts, Kyiv, Ukraine
  • Kateryna S. Stepanenko Kyiv National University of Culture and Arts, Kyiv, Ukraine


author's cinema, author's style, cinematography, directing tools, drama


Martin Scorsese is an outstanding contemporary director, who strongly influenced the artistic and aesthetic foundations of American (authors’ in particular) cinematography of the 19th–20th centuries He was and remains one of the outstanding creators who shaped the aesthetics of the “New Hollywood” cinematography. In the period from 1917 to the early 1960s, there was a paradigm of “classic Hollywood”, in which films were produced according to the dominant aesthetic, genre and narrative formulas, the characters represented themselves as specific typical images with understandable motivations for the general public. Martin Scorsese is a representative of cinematography, who changed classical views of film art. That is why the study of Martin Scorsese's work remains relevant for researchers in the field of cinematography and culture to the present day. The purpose of this work is to study the creativity of director, screenwriter and actor Martin Scorsese, as well as to identify the author's style in the artist's work, determine his author's handwriting and manner. The methodology of this research is based on theoretical methods of scientific knowledge, in particular, the method of information analysis and synthesis, the cultural method, as well as historical and comparative methods were used.


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How to Cite

Pogrebniak, G. P. ., Boiko, O. S., Iudova-Romanova, K. V., Priadko, O. M., & Stepanenko, K. S. (2021). The art of director, screenwriter, and actor Martin Scorsese as an author’s cinematography model. Linguistics and Culture Review, 5(S4), 1439-1450.



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