The phenomenon of musicality in expressiveness of V. Kandinskyi canvases


  • Оlena M. Markova Odessa National A. V. Nezhdanova Academy of Music, Odesa, Ukraine


baroque art, melodic associations, melodic-harmonic, techniques, mysticism, rhythmic coincidences


The radicalism of the picturesque aspirations of modern and avant-garde style was fed by overcoming the statics of this art form and the subject specify of the expression. Ideal and temporary nature of the music presented the source of this sort expressiveness, which to the ful was used by V. Kandinskiy. His music preparation, subsequently friendship with A. Schoenberg promoted the corresponding to creative choice, which he has done the declaration of the abstract art and projection music sign to compositions and acceptance in graphic sphere. Kandinskiy rested in achievements post-impressionism – post-symbolism, in which are presented “washed away” in scene, not clearly given image. The music elements painting Kandinskiy realized as independence of the colour and symbolic elements in compositions. In this work is made analysis of linen “Composition II”, “Improvisation 8” and “Improvisation IV”. It is attention to symbology Roman and Arabic numerals, presented in name, which put into composition of the picturesque linen to associations with conditional image types of the music sound. The special accent is made on analogy of the symmetries of the distribution colorful heel and line to ?rchytonic construction of the music forms. 


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How to Cite

Markova О. M. (2021). The phenomenon of musicality in expressiveness of V. Kandinskyi canvases. Linguistics and Culture Review, 5(S2), 303-316.



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