The phenomenon of musicality in expressiveness of V. Kandinskyi canvases

https://doi.org/10.21744/lingcure.v5nS2.1354

Authors

  • Оlena M. Markova Odessa National A. V. Nezhdanova Academy of Music, Odesa, Ukraine

Keywords:

baroque art, melodic associations, melodic-harmonic, techniques, mysticism, rhythmic coincidences

Abstract

The radicalism of the picturesque aspirations of modern and avant-garde style was fed by overcoming the statics of this art form and the subject specify of the expression. Ideal and temporary nature of the music presented the source of this sort expressiveness, which to the ful was used by V. Kandinskiy. His music preparation, subsequently friendship with A. Schoenberg promoted the corresponding to creative choice, which he has done the declaration of the abstract art and projection music sign to compositions and acceptance in graphic sphere. Kandinskiy rested in achievements post-impressionism – post-symbolism, in which are presented “washed away” in scene, not clearly given image. The music elements painting Kandinskiy realized as independence of the colour and symbolic elements in compositions. In this work is made analysis of linen “Composition II”, “Improvisation 8” and “Improvisation IV”. It is attention to symbology Roman and Arabic numerals, presented in name, which put into composition of the picturesque linen to associations with conditional image types of the music sound. The special accent is made on analogy of the symmetries of the distribution colorful heel and line to ?rchytonic construction of the music forms. 

Downloads

Download data is not yet available.

References

Androsova, D. (2008). Religious Ideas in the Definition of Ethnic Minimalism in Musical-Historical Evolution. Scientific newsletter of the Odessa State Musical Academy im. AV Nezhdanovo. Musical mystery and culture. Odesa: Druk , 102-115.

Bengtsson, S. L., & Ullén, F. (2006). Dissociation between melodic and rhythmic processing during piano performance from musical scores. Neuroimage, 30(1), 272-284. https://doi.org/10.1016/j.neuroimage.2005.09.019

Biletska, I. O., Paladieva, A. F., Avchinnikova, H. D., & Kazak, Y. Y. (2021). The use of modern technologies by foreign language teachers: developing digital skills. Linguistics and Culture Review, 5(S2), 16-27. https://doi.org/10.37028/lingcure.v5nS2.1327

Boothby, D. M., & Robbins, S. J. (2011). The effects of music listening and art production on negative mood: A randomized, controlled trial. The Arts in Psychotherapy, 38(3), 204-208. https://doi.org/10.1016/j.aip.2011.06.002

Bushuyeva, A. (2016). Objectless dialogue. Moscow German Newspaper.

Chen, J. L., Rae, C., & Watkins, K. E. (2012). Learning to play a melody: an fMRI study examining the formation of auditory-motor associations. Neuroimage, 59(2), 1200-1208. https://doi.org/10.1016/j.neuroimage.2011.08.012

Daniel, S. (2019). Loops and jazz gaps: Engaging the feedforward qualities of communicative musicality in play therapy with children with autism. The Arts in Psychotherapy, 65, 101595. https://doi.org/10.1016/j.aip.2019.101595

Gudman, F. (1995). ?agic symbols. ?oscow: Zolotoy vek [in Russian].

G?, Z.S. (1978). The notes about painting: that saw and heard. Moscow: Nauka.

Hennion, A. (1997). Baroque and rock: Music, mediators and musical taste. Poetics, 24(6), 415-435. https://doi.org/10.1016/S0304-422X(97)00005-3

I Gede, M. (2021). Neo Nolin “Genre” New Music. International Journal of Linguistics, Literature and Culture, 7(03), 163-171.

Kandinskiy, V. (2008). Artistic gallery. Moscow: “De Agostini”, Ltd.

Kontos, P., & Grigorovich, A. (2018). Rethinking musicality in dementia as embodied and relational. Journal of Aging Studies, 45, 39-48. https://doi.org/10.1016/j.jaging.2018.01.006

Landsbergis, V. (1975). Creativity ?iurlionis (Sonata of Spring). L .: Music .

Losev, A.F. (Ed.). (1960). Antique musical aesthetics . Gos. muzykal?noe izd-vo.

Losiev, A. (1991). Philosophy, mythology, culture. Moscow: Publishing house of polytechnic literature.

Markova, E. (1990). The intonation type of music art: scientific motivation and problems p?d?g?gy. Kijiv, Muzychna Ukrajina.

Milán, E. G., Iborra, O., Hochel, M., Artacho, M. R., Delgado-Pastor, L. C., Salazar, E., & González-Hernández, A. (2012). Auras in mysticism and synaesthesia: A comparison. Consciousness and Cognition, 21(1), 258-268. https://doi.org/10.1016/j.concog.2011.11.010

Nur, A. C., Aslinda, A., Guntur, M., & Didin, D. (2021). Breakthroughs in the development of regional leading sectors: challenges and sustainability. Linguistics and Culture Review, 5(S1), 223-240. https://doi.org/10.37028/lingcure.v5nS1.1351

Roberts, L. A. (1986). Modality and suffix effects in memory for melodic and harmonic musical materials. Cognitive Psychology, 18(2), 123-157. https://doi.org/10.1016/0010-0285(86)90010-1

Roig, C., Tardón, L. J., Barbancho, I., & Barbancho, A. M. (2014). Automatic melody composition based on a probabilistic model of music style and harmonic rules. Knowledge-Based Systems, 71, 419-434. https://doi.org/10.1016/j.knosys.2014.08.018

Rubtsova, VVE (1989). Aleksandr Nikolaevich Skryabin . Muzyka.

Saharova, E. (2013). The metaphor – a code of the artistic text (on material of the artistic prose of D. Shubina). Herald of Irkutsk State Linguistical University, 4(25), 145-152.

Schäffer, B. (1969). The New music. The problems of modern composers’ technique. Kraków: PWM.

Serafine, M. L., Crowder, R. G., & Repp, B. H. (1984). Integration of melody and text in memory for songs. Cognition, 16(3), 285-303. https://doi.org/10.1016/0010-0277(84)90031-3

Shestakov, V. (1973). Garmoniya kak esteticheskaya kategoriya. Ucheniye o garmonii v istorii esteticheskoy mysli [The Harmony as aesthetic category. The Teaching about harmonies in histories of the aesthetic thought].

Shestakov, V. P. (1967). Muzykal’naya estetika stran Vostoka [Music aesthetics in Orient countries]. Moscow, Muzyka Publ.

Shevchenko, L. (2019). Stile characters of Ukrainian piano culture in XX cetntury: monograph. Odesa: Astroprint [in Ukrainian].

Vanslov, V. (1980). The modernism. Analysis and critiques of the main trends. Moscow: Iskusstvo.

White, A. (1994). Symbolism as an understanding of the world . Republic.

?ur?vska, ?. (2017). East-Christian paradigm of the European culture and music XVIII-XX century. Odesa: Astroprynt.

??t?rn?k?v?, ?. (2020). ?ll?luij? paradigm of European culture and music (from Gothic epoch to the present time). ?d?s?: ?str?prynt.

Published

2021-07-29

How to Cite

Markova О. M. (2021). The phenomenon of musicality in expressiveness of V. Kandinskyi canvases. Linguistics and Culture Review, 5(S2), 303-316. https://doi.org/10.21744/lingcure.v5nS2.1354

Issue

Section

Research Articles